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Betty Marsden (24 February 1919 – 18 July 1998) was an English comedy actress. She was born in Liverpool, Lancashire, but spent her early childhood living in near poverty in Somerset. Her music teacher recognised Marsden's talent at the age of six, and became her guardian. ==Life and career== Originally from Liverpool, she attended the Italia Conti Academy of Theatre Arts and ENSA. In the radio series ''Beyond Our Ken'', she played Fanny Haddock, a takeoff of Fanny Cradock.〔 In the radio series ''Round the Horne'', she played a similar role (Daphne Whitethigh), as well as Lady Counterblast (''née'' Clissold), Buttercup Gruntfuttock (wife of J. Peasemold Gruntfuttock, played by Kenneth Williams), Dame Celia Molestrangler, Judy Coolibar, Dame Bella Goatcabin and every other female role. In 1958, Marsden played the role of the Fairy Godmother, in the production of Rodgers and Hammerstein's ''Cinderella'' at the London Coliseum with Tommy Steele, Kenneth Williams, Yana and Jimmy Edwards. She escaped the wrath of the critical community in London when her role of Aunt Dahlia was removed from Andrew Lloyd Webber's flop musical ''Jeeves'' (1975) before opening night.〔Andrew Lloyd Webber: His Life and Works – Walsh, Michael (1989, revised and expanded, 1997),P.85, Abrams: New York〕 Perhaps her most famous catchphrase was 'many, many, many times', delivered in the dry, reedy tones of Bea Clissold, the ancient actress who was renowned for having given pleasure to many, particularly in "The Little Hut" on Shaftesbury Avenue. This long outlasted the Clissold character and was deployed to much audience appreciation on a few occasions in later series, possibly as an ad lib. Another was "'allo, cheeky face!", shouted into the microphone in the less-than-couth London tones of Buttercup Gruntfuttock. Marsden's vocal range was impressive and also included the husky Whitethigh, the strident stereotypical Aussie tones of the ultra feminist (but conflicted) Judy Coolibar, and the cut-glass received pronunciation of Dame Celia Molestrangler (in a series of loose pastiches of the stilted dialogue in 1930s and 1940s romances and melodramas - for example, ''The Astonished Heart'' became ''The Hasty Nose'' - partnered with Hugh Paddick's 'ageing juvenile Binkie Huckaback', with the denouement inevitably bringing the lovers crashing back to earth). She also appeared in two Carry On films, ''Carry On Regardless'' (playing Mata Hari) and ''Carry On Camping'' (playing Terry Scott's wife, Harriet, with a braying laugh and jolly bossiness).〔 Her other film roles included ''Ramsbottom Rides Again'' (1956), ''The Boys'' (1962), ''The Wild Affair'' (1963), ''The Leather Boys'' (1964), ''The Best House in London'' (1969), and ''Eyewitness'' (1970). She later played the small role of Hermione in the 1982 British film ''Britannia Hospital'' 〔(【引用サイトリンク】title=Britannia Hospital (1982) : Full Cast & Crew )〕 and the part of Violet Manning in Peter Yates' 1983 film version of ''The Dresser''.〔(【引用サイトリンク】title=The Dresser (1983) )〕 One of her theatre roles was in Joe Orton's ''What the Butler Saw'' at the Royal Court Theatre, and her many television appearances included a role in ''Inspector Morse'' (1990). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Betty Marsden」の詳細全文を読む スポンサード リンク
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